Sunday, May 25, 2014

Ekphrasis: The Fall of Icarus as springboard

Here is the painting 'Landscape with the Fall of Icarus', attributed to Pieter Brueghel, which inspired both W. H. Auden to write his 'Musée des Beaux Arts' and William Carlos Williams to pen 'Landscape and the Fall of Icarus'. It is enjoyable to contemplate how the imaginations of two poets took flight in different directions (pardon the pun) in response to this art work. Both are free verse poems, but that is where the similarity ends; the mood and tone of each is quite distinct with Williams's short lines and stanzas creating a vital sense of immediacy as Icarus drops, while Auden's longer lines scaffold a broader meditation on the arbitrariness of human suffering and how the Old Masters captured this so skilfully. The fact that both writers refer to Brueghel in the body of their poems serves as a reminder that ekphrasis is concerned with the act of representation itself.

Landscape with the Fall of IcarusRoyal Museums of Fine Arts of Belgium

















Landscape With The Fall Of Icarus
William Carlos Williams

According to Brueghel

when Icarus fell

it was spring



a farmer was ploughing

his field

the whole pageantry


of the year was

awake tingling

near



the edge of the sea

concerned

with itself



sweating in the sun

that melted

the wings' wax



unsignificantly

off the coast

there was



a splash quite unnoticed

this was

Icarus drowning 


Musée des Beaux Arts
W. H. Auden

About suffering they were never wrong,

The old Masters: how well they understood

Its human position: how it takes place

While someone else is eating or opening a window or just walking dully along;

How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy life and the torturer's horse

Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water, and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

Had somewhere to get to and sailed calmly on.

Friday, May 9, 2014

Recent Poetry












The Little Guys*

Seed heads give
chase, play
tag on wide
pavements,
then take
off
on the
wind.

Bristles gather
forces; swirl,
tumble
forth,
interlocking
spokes, jolted
by the early
Autumn breeze.

I’m racing
across streets
for a taxi, but
I want to
crouch
down
like my
three-year old,
caress the ‘little guys:
white florets
so fine, yet
tautly robust,
to volley
silky clusters
upward
to the skies.


© Emily Cullen


* flowerhead of the acacia melanoxylon (Blackwood wattle tree)

May 2014 update & article on publishing a second collection in the new Poetry Ireland pamphlet

May has arrived already and, admittedly, I’ve been tardy in updating this blog, though far from idle since my last post in October. I marvel at bloggers who lead full lives and still manage to promulgate their thoughts regularly via social media, especially working parents – it is no joke! November was extremely busy with the Melbourne launch of my second book, In Between Angels and Animals, (a big thank you to everyone who attended and supported me) and poetry readings for Melbourne Knowledge Week, as well as a presentation of my research on the Irish harp for the Melbourne Irish Studies Seminar series. Then came the hectic but also welcome Christmas period with some much-needed R&R. In the new year, I changed jobs and began my new role teaching Poetry - Creative Writing with Professor Kevin Brophy at the University of Melbourne. What an enriching experience it is proving to be! I am enjoying the dialogue with my students as we explore and navigate the poetry universe. We are ranging widely: from sonnets, triolets, prose poems and villanelles to anti poetry and the poetry of everyday overlooked objects; from Elizabeth Bishop, Sharon Olds and Gwen Harwood to Charles Simic, Pablo Neruda and many others. Our theme this week was narrative poetry and next week we consider ekphrastic writing and then slam and spoken word. To say I am 'in my element' is a flagrant understatement! In a few weeks time, when the current semester ends, I hope to write a bit more about this unique pedagogical experience (the course encompasses both poetic theory and creative practice) and to reflect on particular moments during the workshops.
Earlier this year, on Saturday, 15 March, I was delighted to be a featured poet at the special monthly reading at Federation Square to celebrate International Womens Day. Thank you to organizer, Dimitri Troaditis for a memorable occasion. I met some wonderful sister poets at the event including Cece Ojany, Thalia and Avril Bradley. I also gave a somewhat impromptu, unexpected reading one Saturday afternoon at the legendary Dan O’Connell pub on Canning Street, famous for its Saturday 'Dan Poets' sessions. What a fun occasion that was with a great mixed grill of poetry lovers!

Having completed my second volume of poetry last year, (which is included in Syracuse University Press Spring 2014 catalogue and now available at the renowned ‘Collected Works’ bookshop in Melbourne), I’ve been reflecting on my poetic practice and the journey which has brought me to this point. I recently penned some of those thoughts into a feature article entitled ‘A Flock of Anxieties: Publishing a Second Collection.’ My piece has just been published in Poetry Ireland’s inaugural pamphlet, Trumpet. See more info below. The essay is also available to read now in the 'Feature Articles' section of Poetry Ireland's website


'Trumpet' is Poetry Ireland's new literary pamphlet, containing reviews, essays, articles and poems. The first issue reviews books by Iggy McGovern, Billy Ramsell and Dawn Wood, among others, has essays by  Mark Granier on Writing the Short Poem and Emily Cullen on Writing a Second Collection, and includes poems from Francis Harvey and Dairena Ní Chinnéide, among others.

'Trumpet' will come out four times a year and retails for €2 in shops or online, but is available gratis to subscribers to Poetry Ireland Review.

The old PI News is being phased out, as all our event information is available on our website, and is also included in this regular Monday e-zine.

Issue 1 of 'Trumpet' is available to download for free here

Monday, October 14, 2013

November - Exciting month ahead!

Spring has well and truly sprung in Melbourne at last and the pulse of life quickens again. Once the month kicks off I will be kept gloriously busy!

  • On Friday, 1 November the Australian Catholic Unviersity, where I work, will be centrally involved in Melbourne Knowledge Week. Yours truly will be playing the harp and participating in a reading and forum entitled 'Poetry Speaks' with fellow poets and scholars from the university: Dr. Mark Lyall, Dr. Caz Masel and Dr. Matthew Ryan. Full details of the event can be found on the 'Events' page of the ACU website here.

  • I am delighted to announce that the Melbourne launch of my second collection, In Between Angels and Animals, will take place at 6pm on Thursday, 7 November at the Roof Garden, Level 6, Daniel Mannix Building, Australian Catholic University, 115 Victoria Parade, Fitzroy, VIC 3065. Dr. Frances Devlin-Glass, Honorary Associate Professor at Deakin University, will be the guest speaker. The Australian Poetry Organisation has kindly posted information about the launch on their site here.  See also my publisher's website - Arlen House - for details and  watch this blog for updates.

  • On Tuesday, 12 November I will be presenting a paper as part of the Melbourne Irish Studies Seminar series at 6pm at The Oratory, Newman College, University of Melbourne. My paper will tell a little known story about the Irish harp and how it was deployed in the ideological battles and antiquarian debates about the civility of pre-Christian Ireland. It is titled 'Relic of a Golden Age or Gothic Barbarity? The Irish harp as instrument of colonial discourse' and details of the event can be found here.

          Each of the three events listed above is free and open to the public. I hope to see you there!