The Galway Review

Greetings to friends far and wide and an especially big shout out to Kevin H - I promise to reply to your message soon! Life has been busy of late as I have rejoined the working world and am back, full-time in academic administration. Lecturing posts in my area are thin on the ground, but the administrative side is an attractive option too, as you are still in the orbit of ideas, but don't have to grade a hefty pile of scripts! I do miss teaching alot though, but now I hope to have some time to focus on my writing (and reading and music) in the evenings. I'm all about the extra-curricular! Speaking of which, I have just had four poems, about my beloved Galway, published in The Galway Review. They are quite playful and try to capture some of the competing confusions and unbridled joys of new motherhood. Hope you like them and thanks for reading.

Australian Poem of the Week!

So I'm finally getting around to posting my first blog since jumping hemispheres and making the big leap from Galway to Melbourne - a fantastic metropolis which I will be writing alot more about soon in frequent 'Snapshots from Melbourne'. I awoke to good news today: my poem entitled 'Primavera' has been selected as 'Poem of the Week' by the Australian Poetry organisation. You can read the poem here  Enjoy! (It's Spring down unda and the air is getting milder).

Burning Bush II Journal Online

The Burning Bush 2 - a fresh, quality Irish journal publishing contemporary writing - has been relaunched as an online journal, and yours truly is delighted to have a poem featured in Issue 1. My poem entitled, 'Love and Milk' can be read here. 

The Burning Bush 2  is an online project that publishes new and innovative work from contemporary poets and writers in Ireland and the rest of the anglophone world. There will be four issues spread over one year. Here are the details regarding submissions: The deadline for issue 3, to be published in July, is 1st June 2012. Send no more than 4 poems, in the body of an email with “Poetry – Your Name” as the subject heading to burningbusrevival@gmail.com. A short biographical note should also be included. Please allow 4 to 6 weeks for a decision. There are no restrictions on style, themes etc. Do not send attachments unless requested. Good luck!

Sisterly Pride

I am very proud of my youngest sister, Margot, whose chic, fresh and edgy designs were worn at the Oscars by UTV presenter, Tina Campbell recently. See the following clip where the glamorous Tina reports from the awards ceremony and proudly announces that she's sporting Margot's dresses!

Political poetry in Ireland: A consideration

With the Irish general election looming on Friday, 25th February, there is a bit of an elephant in the room for many of us Irish poets who feel somewhat uneasy that our writing has not been as engagé as it might have been. While there are solid traditions of protest poetry in other parts of the world such as Russia, Persia and Latin America, Irish poetry is often criticised for not being sufficiently engaged with the injustices and inequities of our political system and society. I would like to open a discussion here about poems that are politically engaged, how they work as literary texts and function as ethical documents. My own personal opinion is that poetry is, first and foremost, an art form and poems that aim to critique politics should also display real literary skill and operate on an artistic level that is beyond a mere didactic platform. I also believe that poetry is a vehicle for truth and, as such, it should aim to highlight injustice in society and government where possible. However, while many of us are capable of writing satirical, political rhymes that critique the shibboleths of Irish politicians, the corruption of greedy bankers and planners in the construction industry, etc. it is a significant challenge to do this well. How and when would these texts constitute accomplished poetry and art? Would they help to alter popular opinion among Irish voters and influence policy makers? I am genuinely interested in debating this question. From my own experience I've found that it is somewhat rare to encounter Irish poetry that attempts to be politically engaged which also impresses as quality literature.  However, this is merely my own individual opinion and I am open to debate on this topic. Over the years I have read a number of highly skilled political poems by international writers such as Gioconda Belli, Osip Mandelstam, Anna Akhmatova, etc. and also protest poetry in various collections by Amnesty and other such organisations which have touched me deeply and remained with me. These poems were not propaganda; their power issued from the transformative ability of the imagination to evoke a reality with which the reader could empathise. Closer to home, too, there is evidence of literary dexterity among some of the poems published by the Irish Left Review However, there are also some weaker poems that don't quite work as literature. This brings us neatly back to the age-old vexatious question about 'what constitutes literature' and so I would like throw open the discussion at this point and welcome all your comments. Why have we such a weak culture of political poetry in Ireland? Have you read many (or indeed any) truly memorable poems that spurred you to, for example, vote differently, question prevailing discourses, moved you to effect change or act on something? If so, I'd love to hear about them here and please do share! If not, perhaps it is timely to discuss why this is the case in such a literary country, and how effective poetry is as an agent of change in Ireland. Is our tradition of political poetry so ineffective because we are apathetic to its message? Or is it the case that the currency of such poetry is much stronger in countries where basic human rights such as freedom of speech and freedom to vote for whomever one pleases are under threat? Many of the political poets I admire have been arrested for their writings and perhaps there is a greater respect for the quiet, personal medium of poetry and its ability to articulate injustice in other countries where freedom of expression is curtailed by the state-controlled media. Is Irish political poetry doomed to fall on indifferent ears in our so-called 'democracy' where - typically - we lazily keep on voting in the same tradition as our families have always done and we don't react until the crisis is on our doorstep? Isn't there much more at stake now for the economic future of this island than there has been in many many years and shouldn't we poets be taking a stand? Orwell's words resonate: "The opinion that art should have nothing to do with politics is itself a political attitude." All thoughts are welcome!

Fun & Useful Stuff

Make a word cloud and see the words you use most frequently in your writing by entering your poems/texts into Wordle

Check out the Bronte Sisters Power Dolls!

Gain a Ph.D. in 'Arse-Elbow Differentiation' from the University of Bums on Seats

Change the collective consciousness for the better by actually 'giving a shit' here

Navigate the music of composer Philip Glass with the Glass Engine

Create neat visualisations by uploading your data set to IBM's Many Eyes or just browse other people's cool graphs

Collect, organise, cite and share your research sources with Zotero

Play one of the most uplifting reggae soul tracks of all time: Funky Kingston by Toots and the Maytals

Articles of Interest

Stephen Graham asks where is the underground in contemporary music

A thought-provoking review of Clay Shirky's book on Cyber-Utopianism

Is privacy passé? Are we now the Wikileakers of our own lives? Andrew Keen's piece makes for provocative reading.

H.G. Wells is always a subject of fascination for me. See David Lodge's article on his life here

See Dana Gioia's article on poet Elizabeth Bishop here

Alison Flood's article entitled 'Infant joys: The best poems about babies' can be read here

Guardian Books Podcast on literary criticism in the age of social media here

Adam Haslett questions what constitutes good writing in the present age