Friday, May 9, 2014

Recent Poetry












The Little Guys*

Seed heads give
chase, play
tag on wide
pavements,
then take
off
on the
wind.

Bristles gather
forces; swirl,
tumble
forth,
interlocking
spokes, jolted
by the early
Autumn breeze.

I’m racing
across streets
for a taxi, but
I want to
crouch
down
like my
three-year old,
caress the ‘little guys:
white florets
so fine, yet
tautly robust,
to volley
silky clusters
upward
to the skies.


© Emily Cullen


* flowerhead of the acacia melanoxylon (Blackwood wattle tree)

May 2014 update & article on publishing a second collection in the new Poetry Ireland pamphlet

May has arrived already and, admittedly, I’ve been tardy in updating this blog, though far from idle since my last post in October. I marvel at bloggers who lead full lives and still manage to promulgate their thoughts regularly via social media, especially working parents – it is no joke! November was extremely busy with the Melbourne launch of my second book, In Between Angels and Animals, (a big thank you to everyone who attended and supported me) and poetry readings for Melbourne Knowledge Week, as well as a presentation of my research on the Irish harp for the Melbourne Irish Studies Seminar series. Then came the hectic but also welcome Christmas period with some much-needed R&R. In the new year, I changed jobs and began my new role teaching Poetry - Creative Writing with Professor Kevin Brophy at the University of Melbourne. What an enriching experience it is proving to be! I am enjoying the dialogue with my students as we explore and navigate the poetry universe. We are ranging widely: from sonnets, triolets, prose poems and villanelles to anti poetry and the poetry of everyday overlooked objects; from Elizabeth Bishop, Sharon Olds and Gwen Harwood to Charles Simic, Pablo Neruda and many others. Our theme this week was narrative poetry and next week we consider ekphrastic writing and then slam and spoken word. To say I am 'in my element' is a flagrant understatement! In a few weeks time, when the current semester ends, I hope to write a bit more about this unique pedagogical experience (the course encompasses both poetic theory and creative practice) and to reflect on particular moments during the workshops.
Earlier this year, on Saturday, 15 March, I was delighted to be a featured poet at the special monthly reading at Federation Square to celebrate International Womens Day. Thank you to organizer, Dimitri Troaditis for a memorable occasion. I met some wonderful sister poets at the event including Cece Ojany, Thalia and Avril Bradley. I also gave a somewhat impromptu, unexpected reading one Saturday afternoon at the legendary Dan O’Connell pub on Canning Street, famous for its Saturday 'Dan Poets' sessions. What a fun occasion that was with a great mixed grill of poetry lovers!

Having completed my second volume of poetry last year, (which is included in Syracuse University Press Spring 2014 catalogue and now available at the renowned ‘Collected Works’ bookshop in Melbourne), I’ve been reflecting on my poetic practice and the journey which has brought me to this point. I recently penned some of those thoughts into a feature article entitled ‘A Flock of Anxieties: Publishing a Second Collection.’ My piece has just been published in Poetry Ireland’s inaugural pamphlet, Trumpet. See more info below. The essay is also available to read now in the 'Feature Articles' section of Poetry Ireland's website


'Trumpet' is Poetry Ireland's new literary pamphlet, containing reviews, essays, articles and poems. The first issue reviews books by Iggy McGovern, Billy Ramsell and Dawn Wood, among others, has essays by  Mark Granier on Writing the Short Poem and Emily Cullen on Writing a Second Collection, and includes poems from Francis Harvey and Dairena Ní Chinnéide, among others.

'Trumpet' will come out four times a year and retails for €2 in shops or online, but is available gratis to subscribers to Poetry Ireland Review.

The old PI News is being phased out, as all our event information is available on our website, and is also included in this regular Monday e-zine.

Issue 1 of 'Trumpet' is available to download for free here

Monday, October 14, 2013

November - Exciting month ahead!

Spring has well and truly sprung in Melbourne at last and the pulse of life quickens again. Once the month kicks off I will be kept gloriously busy!

  • On Friday, 1 November the Australian Catholic Unviersity, where I work, will be centrally involved in Melbourne Knowledge Week. Yours truly will be playing the harp and participating in a reading and forum entitled 'Poetry Speaks' with fellow poets and scholars from the university: Dr. Mark Lyall, Dr. Caz Masel and Dr. Matthew Ryan. Full details of the event can be found on the 'Events' page of the ACU website here.

  • I am delighted to announce that the Melbourne launch of my second collection, In Between Angels and Animals, will take place at 6pm on Thursday, 7 November at the Roof Garden, Level 6, Daniel Mannix Building, Australian Catholic University, 115 Victoria Parade, Fitzroy, VIC 3065. Dr. Frances Devlin-Glass, Honorary Associate Professor at Deakin University, will be the guest speaker. The Australian Poetry Organisation has kindly posted information about the launch on their site here.  See also my publisher's website - Arlen House - for details and  watch this blog for updates.

  • On Tuesday, 12 November I will be presenting a paper as part of the Melbourne Irish Studies Seminar series at 6pm at The Oratory, Newman College, University of Melbourne. My paper will tell a little known story about the Irish harp and how it was deployed in the ideological battles and antiquarian debates about the civility of pre-Christian Ireland. It is titled 'Relic of a Golden Age or Gothic Barbarity? The Irish harp as instrument of colonial discourse' and details of the event can be found here.

          Each of the three events listed above is free and open to the public. I hope to see you there!

Saturday, September 21, 2013

Amaryllis

I am delighted to have a poem entitled 'Amaryllis' in the current issue of The Burning Bush II (link included below). It was written some time ago so it was a pleasant surprise to discover a photograph of the two blooms which inspired my response as I looked through old pics on my lap top this weekend. The image does not do justice to the radiance of the amaryllis as they lit up the kitchen in our old house on Nuns Island, Galway on a dull Winter's morning, but hopefully the poem takes up where the photo leaves off and articulates something of their impact. Enjoy both image and words!

Wednesday, August 14, 2013

In Between Angels and Animals - my second collection - recently launched at Kenny's Bookshop, Galway

In Between Angels and Animals (Arlen House, 2013)


 Available from kennys.ie, thebookdepository.co.uk 

and many good bookshops throughout Ireland


Cover art: 'Static' by Alex Hall (www.alexhallart.com)

Read my interview with Kernan Andrews 

in The Galway Advertiser, 20 June 2013 here



Des Kenny welcoming all assembled at the launch on Saturday, 22 June, Kenny's Bookshop
The wonderful poet & activist, Sarah Clancy was guest speaker
Poets, Terry McDonagh and Lisa C. Taylor also launched their new collections (by Arlen House) 

Siobhán Nic Ghaoithín and little Conall - fascinated with my necklace
L-R  Caroline, Vera Orschel, Aileen Kavanagh & Mairéad Roche

Two beautiful ladies: my mother & poet, Geraldine Mills


Andrew Lohan and Rafa
With Sarah Clancy after her kind words about my book





Old & new friends who supported me - Don Phelan, Seán Lysaght, Catherine Paolucci, Becky Lally
A captive crowd

A proud daughter with her wonderful Dad

Mairéad Roche, Muireann Ní Dhroighneáin, my sister Tara and Blathnaid Mulholland

Dave Power and Muireann
My sister, Benita with June Boulger
Eoin Barrett and Elaine Keane

My great friend and fellow poet, Susan Kelly 




The first review of In Between Angels and Animals 

from The Lantern Review, No. 8, Summer 2013


Further responses from critics to In Between Angels and Animals (Arlen House, 2013):

Her poetic style is lyrical, intelligent and confident and the poems are searching in a sophisticated and detached way....She goes on to explore many subjects: love, exile, technology, all in a worldwide context…The poetry is erudite and far-reaching and, as the title suggests, it touches on the whole created universe, as the Elziabethans understood it! Poetry Ireland Review, Issue 115, April 2015

She uses her words wisely and sparingly, with none wasted as emotions, images and thoughts are conjured up. - Books Ireland, March/April 2014

 
I recommend this collection wholeheartedly to all those interested in Irish writing in Irish and in English. - The Australasian Journal of Irish Studies, Vol. 13, 2013

Thursday, February 21, 2013

Magdalene - a loaded brand and false signifier


Insomnia provokes this particular blog post. Specifically, a mind racing with our Taoiseach ('Prime Minister') Enda Kenny’s emotionally charged apology to the women of the Magdalene Laundries, and also with the broader concept of the female ‘penitent’. The Taoiseach’s speech was impressive in its genuine acknowledgement of the suffering and humiliation endured by the faceless women of the laundries. I believe his words were heartfelt. Crucially, Ireland and its institutions lacked the ‘quality of mercy’. Coming to terms with the darker chapters of our history, and taking responsibility for injustices perpetrated in the past, are welcome signs of a country attaining a new level of maturity and insight. No nation on earth has a spotless history and, while the plight of the magdalene women was utterly appalling, Kenny's speech signals that our government is taking the right steps to amend past wrongs. What continues to perplex me tonight, however, are the perversions committed in the name of Christianity, and the warped ways in which the Christian message was construed on our small island throughout the 1930s, 40s and 50s. The very concept of the ‘magdalene laundry’ calls to mind a tv documentary I once watched which questioned the identity of the real Mary Magdalene, as opposed to the legend. I remember being startled by the fact that the Catholic Church only chose to reveal, as late as the 1960s, that it had erroneously cast Mary Magdalene as a penitential prostitute for well over 1400 years. This was primarily because the iconic image of the remorseful ‘fallen woman’ was such a potent counterpoint to the purity of the Virgin Mary; it was a useful didactic symbol the Church moulded for its flock. Also, within a highly patriarchal institution, the Magdalene illusion of the weeping woman conveniently collapsed the power and complexity of the real Mary Magdalene – a highly significant disciple of Jesus Christ and, if we are to believe the gnostic gospels, a principal leader of the early christian movement.

Allegedly, the confusion surrounding Mary Magdalene’s character initially arose because of the preponderance of ‘Marys’ in the Bible and much got 'lost in translation'! Pope Gregory I identified Mary Magdalene as being the same person as Mary of Bethany, who really was a remorseful prostitute. (Excuse my lack of citations here - unscholarly, I know, but it's late at night and I am working from memory and gazing, bleary-eyed, into my screen). This misinterpretation altered Mary Magdalene’s image for successive centuries and it was not corrected until relatively late in the day. The weeping prostitute suited the Church’s purposes in providing a kind of template for the remorseful sinner who could attain forgiveness, and even the ultimate endorsement: sainthood! The horrible stigma of ‘penitent’ which was attached to the women of the Magdalene laundries was, therefore, not least inhumane and devoid of compassion, but also tautological and flawed from the outset.

The Catholic Church has become an easy target, however, and I have no wish to join the legions of lazy thinkers who will readily bash the institution on the slimmest of pretexts, or without substantial evidence to support their shibboleths. I know many wonderful men and women who minister as part of the Catholic church and who effect positive change in society through their selfless dedication and pursuit of Christian values. I do not believe they would, or ever could, inflict suffering on another human being. Similarly, the Marist nuns who educated me in Carrick-on-Shannon were kind and gentle women. Indeed, writers and artists as diverse as Jean Rhys, Mira Nair and Germaine Greer attest to the positive influence of the nuns who educated them so broadly; independent women who encouraged them to think for themselves. I digress here, however, so will return to the subject which spawned this spiral of insomnia: the provenance of the Magdalene laundry concept. Plenty more food for thought here for the next few sleepless hours methinks…

Monday, November 5, 2012

The Galway Review

Greetings to friends far and wide and an especially big shout out to Kevin H - I promise to reply to your message soon! Life has been busy of late as I have rejoined the working world and am back, full-time in academic administration. Lecturing posts in my area are thin on the ground, but the administrative side is an attractive option too, as you are still in the orbit of ideas, but don't have to grade a hefty pile of scripts! I do miss teaching alot though, but now I hope to have some time to focus on my writing (and reading and music) in the evenings. I'm all about the extra-curricular! Speaking of which, I have just had four poems, about my beloved Galway, published in The Galway Review. They are quite playful and try to capture some of the competing confusions and unbridled joys of new motherhood. Hope you like them and thanks for reading.